Thursday, April 28, 2011

Guardian Local to shut down soon

UK's Guardian Media Group will soon shut down Guardian Local, the intiative to take journalism hyper-local with an online model it had tried out in 2010. The group said the initiative did not turn out to be financially viable though it did create local communities. RIP Guardian Local

It has been 10 years since dotcom boom-bust cycle happened, but online media experiments continue to remain unviable. I wonder when will online journalism start making enough money to sustain itself and wonder why it has not managed to work.

Wednesday, April 20, 2011

Eddie Adams and the Saigaon Execution

Picture copyright: Arko Datta for Reuters

I found this interesting piece on NYT's photography blog, Lens today. "Saigaon Execution" picture of the Saigaon police chief shooting a Vietnam war protestor from a close range was clicked by photojournalism legend Eddie Adams. I always thought it was one of the iconic images that symbolise photojournalism and its power to document history. I didn't know that Adams detested the fact that this picture won him the Pulitzer instead of another one of Jackie Kennedy in mourning. Don Winslow tells a very interesting story. Read on.

Photographers have no control over what their work can become. How it would connect with the viewers? Whether it would convey exactly what the photographer intended for the viewer? I remember a chat with Arko Datta, who shot the picture of the Gujarat tailor, Qutubuddin Ansari virtually begging for life with folded hands and tears in his eyes during the 2002 Gujarat riots. He said his personal favourite was another picture taken and filed the same day. He said he would have been more happy if that particular picture would have got the acclaim the tailor's picture received.

Arko also had no control on the shadow of that photograph on Ansari and his life in the hostile aftermath of the Gujarat riots. It was printed and reprinted hundreds of times by newspapers and magazines to go with articles on Gujarat riots and the picture became virtually the single defining image of the Gujarat riots. But Ansari had a tough time and was forced evenually move from Gujarat to West Bengal in an attempt to shake off the influence of that image and its shadow on his life.



Saturday, April 02, 2011

Dusty Diamantina and Old Cork Station

I have been trying to remember the words of this song I heard years ago. I could only recall Dusty Diamantina. When I asked some friends who listen to Western music, they couldn't recall any such song. The guitar strains
in this song are awesome and its beautifully sung. Does anyone remember this one?

THE DIAMANTINA DROVER
(Hugh MacDonald)

John Williamson

Also recorded by: The House Band; Patrick Street


The faces in the photograph have faded
And I can't believe he looks so much like me
For it's been ten years today
Since I left for Old Cork Station
Sayin' I won't be back till the drovin's done

For the rain never falls on the dusty Diamantina
And a drover finds it hard to change his mind
For the years have surely gone
Like the drays from Old Cork Station
And I won't be back till the drovin's done

Well it seems like the sun comes up each mornin'
Sets me up and takes it all away
For the dreaming by the light
Of the camp fire at night
Ends with the burning by the day

For the rain never falls on the dusty Diamantina
And a drover finds it hard to change his mind
For the years have surely gone
Like the drays from Old Cork Station
And I won't be back till the drovin's done

Sometimes I think I'll settle back in Sydney
But it's been so long it's hard to change my mind
For the cattle trail goes on and on
And the fences roll forever
And I won't be back till the drovin's done

For the rain never falls on the dusty Diamantina
And a drover finds it hard to change his mind
For the years have surely gone
Like the drays from Old Cork Station
And I won't be back till the drovin's done

For the rain never falls on the dusty Diamantina
And a drover finds it hard to change his mind
For the years have surely gone
Like the drays from Old Cork Station
And I won't be back till the drovin's done

Googling around I found that Old Cork Station is in Queensland, Australia, and Diamantina is a river which flows through this land. Dray is a two-wheeled car that drovers used in this part. Also found this picture and a report on it. Read on.





It costs about $10 a hectare, is so big the boundary fences are checked with an ultra-light aircraft, has had a popular song written about it, and is worth about $2.5 million.
This is Cork Station, 120 km south-west of Winton in far north-west Queensland. 2310 sq km of downs and channel country with a 32 km frontage to the Diamantina River.
It achieved national prominence a few years ago with the popular Redgum song The Diamantina Drover.
The song referred to the vintage sandstone homestead Old Cork, one of the original properties in Western Queensland.
The present station manager, Arthur Wallis, and his wife Rosslyn, occasionally chuckle over the song when they hear it on the local radio station.
"Whoever wrote it had a bit of factual knowledge when he talked about the dray around Old Cork Station because there were three or four around here a long time ago," Mr Wallis said.
"But when it says the rain never falls on the dusty Diamantina  -  well it does rain sometimes. We usually get ten and a half inches a year."
The chorus of the song about a burnt-out old drover  -  written by Hugh McDonald in 1982  -  says:
For the rain never falls on the dusty Diamantina,
The drover finds it hard to change his mind,
For the years have surely gone
Like the drays from Old Cork station,
And I won't be back 'til the droving's done.
The property was first settled in the 1870's and became the local mail distribution before the establishment of Winton  -  the mail came in on a pack - horse from Muttaburra.
The administrative centre of the property was shifted about the turn of the century because the old homestead was often cut off for up to a fortnight by floods.
The new homestead was brought in two or three pieces from Charters Towers by teamsters after the gold rush.
That complex now also includes separate cottages for a bookkeeper and overseer, three buildings for men's accommodation, shearers' quarters for 25 men, a shearing shed and work and machinery sheds.
The families of farm workers lived at Old Cork for many years and until 15 years ago it was used as a night camp when mustering.
Then the station cook often set lines and nets in the large permanent waterhole to give the stockmen a feed of yellowbelly and bream.
The property Cork remains in good order despite the current drought but the Old Cork homestead is in as much a state of disrepair as the old drover in the song.
Much of the timberwork in the old homestead is rotten, the sandstone walls have started to bow and crack, and vandals with shotguns have broken the louver windows and peppered the antbed plastered walls.
A cedar sideboard, beyond restoration, still sits in the old formal dining room, sharing it with the carcass of a dead wallaby, now reduced to a pile of white bones.
A squatter's chair with a greenhide seat still graces one of the verandas.
The kitchen still has its wood stove and a hutch but a 6 m-long table that had been a feature of the homestead for more than 100 years was stolen a few years ago.
Mr Wallis said there had been a recent plan to dismantle the homestead and rebuild it in Winton as a tourist attraction.
The present owner, Mr Dudley Dunn, of Sydney, agreed to the move but locals reconsidered and concluded that the homestead would lose too much of its significance if it was moved.
Mr Wallis said that very little else was known of the history of Old Cork. The property had changed hands a number of times and many station books and records had moved on with the previous owners.
He said the property now kept him and five other workers busy maintaining 144km of 2-metre high boundary fence and kilometers of internal fencing.
It carried about 2500 head of cattle, although its carrying capacity in good seasons was nearly three times that.
Mr Wallis recently trained as an ultra-light aircraft pilot to give him more manoeuvrability about the property.
"The aircraft is an asset on this sort of property," he said. "It saves a lot of time checking the fences and spotting cattle. And it costs only $8 an hour to run compared with $200 an hour for a helicopter."
He said the first time he flew the ultra-light his stomach muscles "tightened a bit" but he was re-assured that the aircraft had a safety parachute.

Wednesday, March 30, 2011

RIP Elizabeth Taylor



A film still of Richard Burton and Elizabeth Taylor


Paul Newman and Elizabeth Taylor in Cat on a Hot Tin Roof




Whether you like her or don't like her, Elizabeth Taylor was surely an icon. Vanity Fair magazine published excerpts from a new book co-written by VF's contributing editor Sam Kashner, and Nancy Schoenberger titled Furious Love on Taylor and Richard Burton's relationship.

Also worth looking at is Vanity Fair's lovely picture gallery capturing Taylor over the years. Also worth checking out are these links:

What NYT obit writer wrote is also worth reading

Rest In Peace, Elizabeth Taylor! We will miss you.




Tuesday, March 22, 2011

Supreme Court's Aruna Shanbhag judgment


Its good to be back to the blog. In my absence, I noticed that lots of people accessed a post I had put out on Aruna Shanbhag in 2009 when Pinki Virani's petition in the Supreme Court was supposed to be heard. I was away at a fellowship workshop when the apex court finally gave its judgement in the case on Mar 7, 2011 after asking a panel of doctors to medically examine Aruna again.

The Supreme Court rejected the euthanasia plea, but the judgement is clearly a landmark one in Indian judicial history. Hence, I thought it was important to put the judgment online.



The 110-page judgement by Justices Markandey Katju and Gyan Sudha Mishra starts with a couplet from Mirza Ghalib:

Marte hain arzoo mein marne ki
Maut aati hain par nahi aati...

Unfortunately, when I give a link to the specific page of the judgement on the Supreme Court website, it is generating an error. Therefore, I request that readers click on this Supreme Court Information System and click on Search by Date of Judgement link on the left nav bar. Change the dates in both the drop down menus to Mar 7, 2011, and you will see the judgement in Aruna Shanbhag case.

Thanks and apologies







Monday, January 24, 2011

MFI National Press Photo Contest 2011

I am not sure when I began liking still photographs. But somewhere along the school going years, I began collecting photographs from newspapers, and magazines. I remember keeping a clipping of my favourite actress Smita Patil that was published in a Marathi newspaper on her first death anniversary because it captured Smita's expressive eyes well.

My father was then working with the Indo-Czech Friendship Forum, and the Czech consulate would send the official Czech magazine similar to the American Span. The magazine had some of the amazing pictures of Czech Republic's beautiful countryside. I remember a particular one which showed a line of pine trees, and their reflection in a lake which had absolutely still waters. There was another one on a Russian magazine which showed a young Russian couple looking at a sunrise. It was the time of perestroika, and the expressions on their faces captured the monumental change Russian society was experiencing at that point in history.

Slowly, I began following news photographs. It was the late Eighties and early Nineties, and there was a wonderful creativity about photojournalism. Mumbai had several newspapers and each of them had strong photo departments that would compete with each other. And, we would look every morning to see who had better pictures, who had exclusives etc.
Thanks to so many of my friends, I realised the difference between photographers and photojournalists. Thanks to them, I got to see the works of some of the world's leading stalwarts of photojournalism - Henri Cartier Bresson, W Eugene Smith, Robert Capa, James Nachtwey, Steve McCurry, and so many more.
Much has changed over the years. The photographic film roll is history. Digital cameras, photoshop, all colour pictures have taken over. I am still fascinated by photographs - the art of capturing the moment and freezing it forever. And that is why photocontests fascinate me because they showcase contemporary photo-journalism. So, here I go again... I am doing it as part of the Media Foundation of India.

Media Foundation of India

presents
MFI National Press Photo Contest 2011

Six categories:

General News
Spot News
Daily Life
Sports
Arts and Culture
Best Photo Stories

Total prize money to be won: Rs 6.75 lakh
Top prize: Rs 75,000

Pictures shot between Jan 1, 2010, and Dec 31, 2010 eligible
No entry fee
Entries could be sent on email or in a CD couriered to our office
Award ceremony in March 2011
Photobook of winning images
Photo exhibition of winning pictures
Entry Deadline: February 7, 2011.

Jury: Pablo Bartholomew, Arko Datta, Kevin Frayer

For more information and online entry form, log on to: http://mfi.org.in/

Tuesday, November 16, 2010

CAG report on the Mother of Scams

If the Bofors scam, which triggered a collapse of Rajiv Gandhi's government, was worth Rs 64 crore, what would you call the Telecom scam?
Comptroller and Auditor General of India has indicted Telecom Minister A Raja confirming the allegation that he caused a revenue loss of Rs 1.76 lakh crore during 2G spectrum allocation.

Highlights of the 77-page report:

  • Raja ignored Prime Minister’s advice on the issue

  • Issued 2G spectrum licences arbitrarily, at throaway prices


  • “flouting every canon of financial propriety, rules and procedures”


  • 85 out of the 122 licences were granted to “ineligible applicants” as these companies did not have the stipulated paid-up capital when they applied.


  • 45 of these 85 licencees were given to companies which failed to conditions of the main clauses in the Memorandum of Association, the report said.


  • Dual technology licences were given to without giving equal opportunity to other operators, the report said. Undue benefit were given to Swan Telecom, Shyam Telelink, HFCL.



J Gopikrishnan, a young reporter from The Pioneer, broke the story and followed the story relentlessly leading up to Raja’s resignation. This is his story


Read the full text of http://www.cag.gov.in/


Monday, November 15, 2010

Michelle Obama's interaction with children

Michelle Obama danced to AR Rahman's Rang De Basanti title song, and then to a koli dance (unique rhythmic dance of Maharashtrian fisherfolk) on both days of her Mumbai visit. The first one was during an interaction with underpriveleged children organised by an NGO at the Mumbai university, and the second one was a convent school. She mixed freely with the children, laughed a lot and really charmed them. She removed her shoes and played hopscotch. She picked up the koli dance steps very quickly compared to Obama. The First Lady was amazingly graceful compared to the president who swung awkwardly. But then thats the case with most guys!

Here's the brief transcript of Michelle Obama's interaction with the children at Mumbai university, hours after her arrival on Nov 6.
Transcript courtesy: American Center
__________________________________________________________________________

MRS. OBAMA: I love dancing. Oh, that was fun! (Applause.) We should do that again. (Applause.) Okay, we’ll do that before we leave.



I just want to thank you all. Thank you. And I want to thank all of your teachers and mentors. Do you know how lucky you are, just lucky and blessed, because if you keep working hard, education is all that you need to be whatever you want to be. That's it.



I didn’t grow up with a lot of money. I mean, my parents -- I had two parents. I was lucky to have two parents, and they always had a job, but we didn’t have a lot of money. But it was because of working hard, and studying, and learning how to write and read, and then I got a chance to go to college, and then college opened up the world to me, I started seeing all these things that I could be or do, and I never even imagined being the First Lady of the United States. But because I had an education, when the time came to do this, I was ready.



So just remember there is nothing that you guys can’t do. You know, you have everything it takes to be successful and smart and to raise a family, right?



What do you say? You’ve got something to say. (Laughter.)



That's all you need. And you’ve got a great start because you’ve got all -- there are so many young people like your teachers who care about you guys. And there are many programs like -- just like this one in the United States where young -- I call these young people -- to you they seem old, but to me they’re young -- but they’re helping kids all across the country. And we should give -- let’s give a hand, a clap, for your -- all of your teachers and mentors and all the volunteers who help. (Applause.)



So I don't know if you feel comfortable -- you have to sort of ignore those people there. Pretend like they’re not here. Do you guys want to ask any questions? Is there anything that you want to know? Even -- don't worry about it being the -- saying it the right way. If there's something that you want to know, or did you want to talk about, that I can tell you -- anybody?



Yes.



Q I feel like my dream come true.



MRS. OBAMA: You feel like your dream has come true?



Q Yes.



MRS. OBAMA: Why, because of me?



Q Yes!



MRS. OBAMA: No!



Q Yes!



MRS. OBAMA: No, you are my dream come true.



Q This is a dream for me -- (laughter.)



MRS. OBAMA: Well, we are very proud of you all. We’re very proud, you know? When me and the President get a little tired because our work gets hard sometimes, it’s because -- it’s when we get to spend time with you all that we go, yeah, this is what it’s all about. This is why we do what we do, because we’re trying to make this whole world better so that kids like you have the opportunities, the same opportunities, as every other kid, right? That's what we’re working for.



So we’re very proud of you. We’re proud of the amount of energy that you put into learning, the excitement that you put into dancing, and to learning how to spell, and to learning how to speak English. You guys are going to do great. You’re going to do just great. All right?



So thank you. Thanks for letting me spend time with you.



Anybody else have anything they want to say or ask -- or practice? (Laughter.)



Oh, if that’s the case, then I think we should dance some more. Let’s dance some more! One more dance! You guys show me one more dance? (Applause.) All right, show me one more dance.



END 5:40 P.M. IST

Thursday, November 11, 2010

Obama's statement on 26/11

I think Barack Obama's emphasis on a Mumbai visit is indeed an extremely positive gesture. Though India has its reservations about the role of David Headley, there is no doubt that India could mount a much stronger case against Pakistani terrorist due to active help from the FBI and other American agencies. As Obama himself pointed out in his Parliament address, he has consciously chosen to place India higher on his priorities. Prime Minister Manmohan Singh was the first Prime Minister to be invited to Washington after Obama took over the presidency, and his first stop during his Asian tour has been India.

Obama was criticised in the Indian media for not mentioning Pakistani establishment's involvement in 26/11 attacks, but clearly he was being judged too early during his three visit. I think Obama's Mumbai statement on 26/11 is unequivocal on condemning terrorism, and emphasising that US will always stand with India. His statement also holds great symbolism as he not only stayed in the portion of the Taj hotel which was heavily damaged by four Lashkar-e-Toiba gunmen, but also paid homage to the Tree of Life memorial to 26/11 victims inside the Taj hotel.

Read on the full text

This transcript is available thanks to American centre.


2:25 P.M. IST The Taj Hotel



THE PRESIDENT: On behalf of Michelle and myself, I want to say what an extraordinary honor it is to be here in India. I want to thank the people of Mumbai and all of you here today for your extraordinarily warm welcome. And I want to say to the people of India how much we are looking forward to spending the next three days in this remarkable country and to deepening the partnership between our two countries.



I know there’s been a great deal of commentary on our decision to begin our visit here in this dynamic city, at this historic hotel. And to those who have asked whether this is intended to send a message, my answer is simply, absolutely. Mumbai is a symbol of the incredible energy and optimism that defines India in the 21st century. And ever since those horrific days two years ago, the Taj has been the symbol of the strength and the resilience of the Indian people.



So, yes, we visit here to send a very clear message that in our determination to give our people a future of security and prosperity, the United States and India stand united.



A few moments ago, Michelle and I had the opportunity to visit the memorial here and to honor the memory of those who were lost. And we also had the privilege of meeting with some of their families, as well as some of the courageous survivors. I thank them all for joining us here today, along with so many others who endured the anguish of those four days in November.



We'll never forget the awful images of 26/11, including the flames from this hotel that lit up the night sky. We’ll never forget how the world, including the American people watched and grieved with all of India.



But the resolve and the resilience of the Indian people during those attacks stood in stark contrast to the savagery of the terrorists. The murderers came to kill innocent civilians that day. But those of you here risked everything to save human live.



You were strangers who helped strangers; hostages who worked together to break free and escape; hotel staff who stayed behind to escort guests to safety; including the hotel manager, even after he lost his own family; a nanny who braved the bullets to protect a young boy; and Indians in uniform who stopped the carnage and whose colleagues made the ultimate sacrifice.



The perpetrators wanted to pit believers of different faiths against one another. But they failed. Because here in Mumbai, the diversity that is India’s strength was on full display: Hindus, Sikhs, Christians, Jews and Muslims protecting each other, saving each other, living the common truth of all the world’s great religions, that we are all children of God.



Those who attacked Mumbai wanted to demoralize this city and this country. But they failed. Because the very next day, Mumbaikars came back to work. Hotel staff reported for their shifts. Workers returned to their businesses. And within weeks, this hotel was once again welcoming guests from around the world.



By striking the places where our countries and people come together, those who perpetrated these horrific attacks hoped to drive us apart. But just as Indian citizens lost their lives on 9/11, American citizens lost their lives here on 26/11 -- along with the citizens of many nations. And just as our people prayed together at candlelight vigils, our governments have worked closer than ever, sharing intelligence, preventing more attacks, and demanding that the perpetrators be brought to justice.



Indeed, today, the United States and India are working together more closely than ever to keep our people safe. And I look forward to deepening our counterterrorism cooperation even further when I meet with Prime Minister Singh in New Delhi.



We go forward with confidence, knowing that history is on our side. Because those who target the innocent, they offer nothing but death and destruction. What we seek to build -- to welcome people of different faiths and backgrounds, and to offer our citizens a future of dignity and opportunity. That is the spirit of the gateway behind us, which in its architecture reflects all the beauty and strength of different faiths and traditions, and which has welcomed people to this city for a century.



That is the hope that in towns and villages across India, across this vast nation, leads people to board crowded trains and set out to forge their futures in this city of dreams. And that is the shared determination of India and the United States -- two partners that will never waver in our defense of our people or the democratic values that we share.



For just as your first Prime Minister said the day that the father of your nation was taken from you, we shall never allow that torch of freedom to be blown out, however high the wind or stormy the tempest. We believe that in America, and we know you believe it here in India.



God bless you, and thank you very much. (Applause.)


END 2:35 P.M. IST